Off topic

In my final year at my Balham primary school, apart from the playtime bell ringing, the favourite part of my time there was when the teacher announced: ‘It’s time to work on your topic’.

A ‘topic’ was a project which lasted several terms and had nothing to do with hazelnut-covered chocolate.

In 1967 there were thirty of us in the class (I was one of the few not called ‘Susan’) and our topic was to write about a county.  There had been thirty-six English counties, so the chances of getting Rutland (and consequently no work) was high.

I got Middlesex.  I wanted Kent as I was, even as a ten-year-old, a massive fan of the County Cricket Club and obsessive about cricket generally – which became horribly obvious as my topic progressed.

Two years earlier Middlesex had officially stopped being a county.  Surely better than getting Rutland?  No, new county boundaries meant for nothing in SW17 (not part of Westmoreland).

I could have written about Harrow School; Chiswick House or the 15th Century font in West Drayton; I chose solely to write about Middlesex cricket.

My topic could have included facts about Hampton Court and its inhabitants and history; I chose to write about the inhabitants of Lord’s (not even in Middlesex).

Leading up to my Eleven-plus, rather than plumping for Thomas Cromwell, I wrote (at length) about Fred Titmus.  I even referred to the English Test cricketer probably being a better offspinner than Katherine of Aragon.  

So, not so much divorced; beheaded; died; divorced; beheaded; survived, more stumped; run out; caught; stumped; run out; hit the ball twice.

Lava and lime

In the 60s you didn’t have to go to the edge of Mount Vesuvius to see lava, if you’d saved up enough Green Shield stamps you could get some in a lamp; if you had faulty wiring, there was that ever-present danger the eruption of AD79 would be re-enacted in your flat.

But, if globules resembling something out of the Quatermass Experiment wasn’t for you, then a fibre-optic lamp was the thing to adorn your bedroom in the (in my case) highly unlikely event that a girl might visit. 

In the 70s, in my Balham flat, I would turn my light on in the hope that it would act as a homing device to any unsuspecting girl in our flats (preferably one who liked cricket, Thunderbirds and Sven Hassel novels).

However, the only danger (there was no danger of anyone visiting) was that the fibre-optic lamp, though wonderfully pretty when lit up, would moult more than the hairiest German Shepherd dog. 

This was not advertised on the packaging and you only found out – given the room was in virtual darkness – when you trod on one. Think pieces of Lego, only with a skin-piercing syringe attached. 

I was clearly never going to make it as a Hippie, my mother had installed fire alarms in my room, so joss sticks were out of the question and the only flares I’d see would be my mother firing one out of our flat window signalling my dad had gone to work.

Barbie and Däniken

cerne-abbas-giant-14[6]

In 1968, immediately after the publication of Chariot of the Gods by Erich von Däniken, I would gaze, expectantly out of the bedroom window of my Balham flat, anticipating the imminent arrival of aliens – and by this I don’t mean people from South-East London 😊
I would trawl over Tooting Bec Common, desperate for signs of a spaceship runway from 50,000 BC – perhaps on the Tooting Bec running track, or pondering whether the Lido was in fact a giant (or tiny) fountain built by Martians?
Von Däniken suggested many Biblical events were carried out by alien races. I once saw a ladder with Jacob written on the side and believed this was a prophesy of Von Däniken, only to discover that this Jacob was in fact a painter and decorator from Clapham.
The destruction of Sodom was probably not done by people from outer space but executed by a group of pyromaniacs from neighbouring Gomorrah.
Such was the success of the first book, it spawned many others – invariably with Gods in the title. It all got a bit hard to believe when Confessions of an Ancient God and Carry on Corn Circling were released.
I’m writing this from a condominium in Roswell; the neighbours are lovely but do keep churning up the local park making it look like the East-West runway at Heathrow Airport, saying they’ve relatives visiting.

Go on, my son et Lumiere

shadow puppet

In the bedroom of my Balham flat, growing up in the 60s, I’d always have a night-light on. I’d have one on now, but at 63 I’m 99% certain the Bogeyman doesn’t exist. I would, with the light’s reflection, enact shadow dramas onto my bedroom wall.
My dramas would involve a rabbit’s ears, Dennis the Menace and a pre-historic bird with a beak which could open and close.
In my teenage years I travelled one night with my mum to Hampton Court to watch a son et lumière (with Balham’s café society being like Paris in the 70s, it was the natural thing to do).
The drama employed actors whose silhouette were the only thing you’d see; they depicted some violent scene from the life of Henry VIII.
After this, I decided my career lay in film direction, using only silhouette. I felt I could create anything – except The Invisible Man.
Returning, excited, to my bedroom that night, I hurried to bed early, turned on my Flopsy Bunny night-light and felt like Balham’s answer to Sergio Leone.
In my bedroom, in total darkness save for a forty-watt bulb, I thought Shakespeare would be the best place to start. I’d started to study him at school and felt my wall would do him justice. It was at this point when I realised that there are no rabbits, birds or Dennis the Menaces in any Shakespeare play – except the opening scene of Macbeth when all three are ingredients in the witches’ cauldron.
But, as we say in Balham, je regrette rein (looks like rain)

Kerb your enthusiasm

tufty

After leaving the Communist Party in 1961, I joined the Tufty Club – I felt Stalin was no longer in a position to help me cross Balham High Road safely.
I was four and my membership provided me with a badge and a Tufty Club handkerchief – this also acted as a tourniquet in case you didn’t properly observe your Kerb Drill.
Imagine my horror when, in 1975, a TV advert saw Tufty replaced by a six-foot-seven body builder called the Green Cross Man. How could this be real and taken seriously? Surely no one was that tall – not even Tufty’s road-crossing weasel buddy. The giant’s premise was ‘stop, look, listen, think’ – you can now add ‘hope (‘it’s not a Prius’)’ onto the end of that.
Because I lived next to my primary school, I never needed the use of a lollypop man or woman. I did see them at a distance, though, and assumed that a). you had to be over 100; b). hated kids and c). probably have been very proficient with a Kendo fighting stick in a previous occupation. They would stop speeding traffic on the A24 with one step into the road with their ‘lollypop’ as if being on the set of ‘Enter the Dragon’ – this was in itself quite dangerous, and we often nearly witnessed ‘Enter the Cortina’ – lollypop first.
Tufty Fluffytail was first created in 1953, he will now be 67 and is probably now a grumpy old lollypop squirrel somewhere or living in your loft. Wherever he is, he’ll be moaning the music’s too loud.
Mind the roads.

Three-day weak

three day week

Because I’m not having to commute to work, I’ve replaced the time I would normally be on a train playing i-Spy with unsuspecting passengers, by walking.
Aside from taking photos of various flora and fauna and keeping them in a folder ready to show anyone out dogging (regardless of whether it’s a Doberman, Chihuahua or Ford Cortina), I’m listening to documentaries on my radio.
These past few weeks I’ve been listening to the BBC’s 25-years of rock. This week, I listened to 1973. It is, as the show title suggests, mainly songs, but interspersed with clips of news items. Really good if you were a fan of Ted Heath or Richard Nixon!
One of the songs, ‘You’re so vain’, I thought particularly apt, as I like to keep my hair in place in my local park, even when going through particularly dense undergrowth – David Bellamy I’m not.
1973 saw us enter Europe, work three-day weeks, wish we’d bought shares in Wandsworth’s Price’s Candles and sit in cars for hours, queuing for petrol, when the question: ‘are we nearly there yet?’ had the consequence of having your Green Shield Stamp allocation being taken away by an equally-bored parent.
It was also the year of the release of ‘Tubular Bells’ – bought mainly for the B-side, which, played backwards, got you a small part in ‘The Exorcist’.
For me it was the year I managed to obtain one-seventh of the O-levels I took; my excuse being I was trying to learn the words to ‘Tubular Bells’; sadly, I only got as far as ‘two slightly distorted guitars’.
Although, I did learn that a mandolin wasn’t a small French cake.

Fête worse than death

A view of a golden fish in a bag isolated on white background

It’s that time of year when normally we’d be attending our local village/school/church/diabolist commune fairs.
Sadly, none of us, this year, will be winning anything you wouldn’t dream of buying on a Tom-bola stall.
Discarded bottles, costing no more than 67p, from day trips to Calais in the late ‘80s, will still be remaining in the loft for another year.
I’m reminded of the only success at my Balham school fair.
Having previously won goldfish with shorter lifespans than the average housefly, one year I won a goldfish – it lived for eighteen years.
If it hadn’t had such a dreadful memory it would have been old enough to drive – remembering stopping distances would have proved a problem as it was constantly smashing into the side of its bowl.
During these eighteen years I tried to make its life as pleasant as possible: added a plastic diver for company; green foliage modelled on Tooting Bec Common (I assume it had been caught in one of the ponds, so this was a glimpse of “home”) and a signed copy of Moby Dick.
When it died, I wanted to give it a decent burial.  They weren’t too keen at the South London Crematorium (my suggestion of playing “For those in peril on the sea” as the curtain closed, being the nail in the coffin) so I packed him into his own coffin – a tin of daphnia – and threw him in the Wandle.
So, next time you’re watching Tooting & Mitcham, and you hear splashing from the nearby river, please remember Flipper.

Mrs Mills solves a problem like Maria

mrs mills

Not that I went to the theatre before the lockdown, but now, thespians around the world are bringing their offerings, using live streaming, into your front room.
To make this experience even more intimate I believe you should take part in the actual screening: if it’s Les Misérables then sling all your cushions onto the carpet and build a barricade; if it’s Lloyd-Webber’s Joseph and his technicolour dream coat, get that crochet kit down from the loft and help the Family Jacob out – it doesn’t have to be any special material – any wool will do (see what I did there?) and, if you’re watching Macbeth, and you have lodgers, try not to murder them in their sleep and watch what’s being put into that evening’s stew.
It’s also your chance to be the next Vanessa Redgrave or Neil Pearson (good Tooting boy) and say the lines as your favourite character. Take the TV remote, hover your finger over the “mute” button and when it’s your turn say: “To be or not to be”; sing: “I dreamed a dream” or re-enact the fight scene from Women in Love – although mind that fire.
Give it everything – no one will see you (if you’ve got nets); no one will hear you (unless you’ve not got double-glazing) and no one will say anything unless the nets are in the wash, the windows are wide open and you’ve left the living room light on.
And if all that fails, get that nun’s costume out and pretend to be Julie Andrews singing about a goatherd with no mates and potential altitude sickness.
Plus, who needs an excuse to put on an excessive amount of make-up? Oh dear, time for the lockdown to end.
Ready for you now, Mrs Mills.

I’d do anything

marty

As a football fan, I’ve been lucky to have watched the beautiful game at the Bernabéu; the San Siro and both German Olympic stadia in Berlin and Munich; but the zenith of my footballing viewing has got to be Sandy Lane, former home of Tooting & Mitcham FC.
Here I watched a charity game between Tooting & Mitcham and a team of celebrities – think Robbie Williams’ games only in 1968 – and in Mitcham.
I went because my comedy hero, Marty Feldman was playing. Great writer and actor, no Charlie Cooke.
The game, like most charity games, had an unexpected celebrity kick it off. In this case it was Mark Lester, who played the title role in the film Oliver. Like Diana Ross at the 1994 World Cup only with more begging.
I am one-year older than Mark Lester, but even at that tender age, although you dreamed of playing with grown-ups, when reality kicked in (literally) you wanted to hurriedly produce a note from your mum excusing you from the first half.
Mark Lester kicked off and immediately trotted back to the safety of the dug-out, changing rooms or Nancy.
But, imagine if he’d stayed on and discovered that Tooting & Mitcham had Oliver Reed in their starting XI? He’d have terrorized the poor urchin for ninety-minutes.
Picture the scene: Young Mark gets the ball from the comedy equivalent of Jimmy Greaves, dribbles inside several Tooting & Mitcham defenders, is about to shoot, balances, raises his leg and then suddenly hears the death-cry behind him of ‘Bullesye!’
This was 1968; you couldn’t do that now, FIFA have introduced a rule which says you can’t have a pit-bull terrier playing at centre-half.

 

It’s Wagner!

wagner

I like to think my Man Cave is slightly more sophisticated than Fred Flintstone’s.
While I haven’t got a pet dinosaur (walking it day and night in mid-winter doesn’t appeal) I do have everything I need in my self-appointed self-isolation room.
Because I’m working from home, and with no one to talk to (or at as I’m an only child), I need to have elements of distraction and comfort. I have a desk; an ergonomic chair; a sofa for lounging on, in the style of Noel Coward, when I’m not having to look at Excel spreadsheets, Word documents or participate in Zoom video calls.
But above all, I have BBC Radio 3.
I realise classical music isn’t everyone’s cup of tea (I have plenty of that too) but, as I sang in a church choir (arguably when I looked my most angelic) and also played in the school orchestra – I was third violin (mainly because they didn’t have a fourth, fifth or six – I wasn’t brilliant, but it did get me out of Maths); although if Richard Wagner had ever heard me playing his overture to Die Meistersinger von Nürnberg, he’d have turned in his Bayreuthian grave.
This exposure, throughout my life, has endeared me to the genre of music they play on Radio 3 (although I do struggle with Jazz Record Requests), especially Essential Classics which is on during weekdays mornings – it offers great, accessible music with some light-hearted banter too – it keeps me sane, plus sometimes I can sing along or pretend I still own a violin.
However, because it is on in the background, I tend to forget it is on and on it remains during my newly-increased habit of video conference calls. While no one in my offices or any of my clients believe I’m training to be one a concert pianist, I was asked the other day, “What is that noise?” (The overture to Fidelio) I now know not everyone likes Beethoven and many people with whom I have these calls think it is a film about a giant dog. I have yet to fully master “mute” during some of these calls – although there is a part of me which believes I’m educating and entertaining my fellow video call participants.
A video conference call in itself is a curious things: several people on my computer screen, in their own contained box, make it like watching an episode of Celebrity Squares. As, at 62, I’m invariably the oldest one on the call and think of myself as Arthur Mullard or Pat Coombs.
I must encourage more of my video callers to listen to Radio 3, who knows, some might come away knowing that Wagner isn’t just some random bloke who appeared in X-Factor.